Louise Scammell

Plummet

Mokulito print.

Razorbills at Shapinsay

Monotype

Razorbills

Monotype

THE PANDEMIC EFFECT

The idea of lockdown and finding I had time off from teaching was initially quite novel. Potentially a time to reflect on my own work and to do those jobs that I had been avoiding doing for some time.

Courses, teaching and exhibitions were all cancelled. I found this frustra ting and very disorienting. I buried myself in lists of jobs; mending, making and lots of walking/cycling.

Just before lockdown my partner had a stroke. He recovered well and wanted to continue fishing (commercially). It was decided that I would accompany him; I needed to know he was safe if anything happened.

The experience of fishing under lockdown was extraordinary. It was an opportunity for me to learn more about the environment which I describe in my work. We saw plenty of wildlife and I always took my sketchbook to make notes.

I was able to go underwater sketching (free diving) and created an ‘underwater garden’ in my studio by printing a series of monotypes about British Seaweeds and Jellyfish.

Being able to escape underwater has helped me remain hopeful and more focused in my work ... somewhere I feel safe!